Art Curatorship
mahewa leads curatorial projects with a conscious state of the art of each temathic’s literature, with the notions of physical or metaphorical space, and text.
It acknowledges collaborative curatorial practices.
mahewa collaborates with local and international collectives, transforming (non) institutional spaces through tempory exhibitions that challenge the traditional exhibitionary meanings of artworks and their creators.
It disseminates projects in multimedia formats: such as podcasts, audiovisual pieces, academic writings, and non-academic specialized or general-audience pieces.
It offers Artwork selection for art exhibitions and accompanies the artists’ or creators’ development and process.
mahewa stimulates conversations between institutions, artists, specialists, and communities or groups of curious people.
The exhibition’s location can vary experimentally between spaces and non-spaces, with no institutional limitations. It only needs team work, genuine relationships, community collaboration and invention!
On site, in the city of Cali, Colombia, mahewa disposes experiments with installations and to meet collectively to share collective practices and ad hoc exhibitions.
Curatorship, as much as a methodology process, can be online and on-site; mahewa manages both registers of support.
mahewa also:
- Offers portfolio readings
- Writes curatorial texts, and reports
- Gives content editing and style in creative and cultural writing
- Links Global art and research network, based on Majority Word connections
- Teaches about Audience studies
- Mentors art galleries and research-based cultural artistic projects’ proposals
- Provides tools for performative and collaborative interventional curatorial practices
- Informs how to write linearly or experimentally curatorial texts
“Speak through another orifice”.
Cooper Autobiography of a Stuttered 2006
Alcohol, son of Don Tobacco and Dona Sugar, is fire strength, soul, inebriation, thought and action. and like this, in between the alcohol daze the counterpoint ends.
Ortiz Cuban counterpoint, tobacco and sugar 1940
The exhibition, as a discursive space, was conceived essentially as a reaction to the insufficiency of spaces and methodological flows of validation.
Hermann, Unconscious curatorships 2012
“Matriarchy sees art as capital and currency as resistance placing begging and sovereign bodies between the buyer and the seller, to negotiate the decision”.
Feodoroff Matriarchy script 2021
Interested? Let’s talk about what we can build together.