Cinema – Audiovisual
mahewa accompanies experimental and brave audiovisual projects in their elaboration, development, and production. It creates a space, physical and digital, where mistakes, daring, groundedness, and critical thinking and actions find better expression and development, depending on the addressed audience.
mahewa produces unconventional movie projects that wish to push and blur boundaries of genre and forms; that aim to unravel and unsettle.
It tutors projects by stablished professionals, young professionals, curious individuals, and non-specialized people who are keen to experiment with new methodologies of social critique in audiovisual storytelling, ethno-fiction, and documentary making.
It mentors experimental documentaries, research-based art-movie projects, and video installations.
Specialized in the Majority Worlds’ cultural and creative production, and low-zero-budget popular creative practices, mahewa grounds its productions on human, social, political, and ecological problems through creativity. It focuses on creating through challenges of many shapes, such as censorship, mediums, and budget.
It combines emic and etic perspectives that seek to delve into social realities. It serves imagination and experimentation to counter propaganda through a prism of respect and intimacy.
With the collaboration of editors, designers and sound engineers, mahewa offers support in project pitches, ideas’ development, fixers for visual projects, brainstorming, editing and critical feedback and tutoring, sound and visual composition, literature background, and fact-checking.
mahewa also
- Creates and supports cinema exhibition, visual making in institutional and non institutional locations
- Helps with preliminary research, visual and sound narrative, and storytelling
- Informs on Visual anthropology and sound recording
- Mobilizes experimental interdisciplinary projects
(E)
RE L _ On-Screen Reel Of-Screen Real
(A)
Baker, Reel Moving Museums 2016
“Nobody lives everywhere, everybody lives somewhere. Nothing is connected to everything. Everything is connected to something.”
Haraway, Staying with the Trouble 2016
The act of making photographs -instead of just simply taking them- is an exercise of interaction … eliminating the relationship of subjugating visual control and hierarchy that the presence of the camera could create.
Paraphrased from Becker 2005
My last prayer: Oh my body, make me always a person that questions!
Paraphrased from Fanon Black Skin, White Masks 1952
Interested? Let’s talk about what we can build together.